Biografía

Thomas Zipp (Heppenheim, 1966). Vive y trabaja en Berlín. 

Entre 2006 y 2007 ha sido profesor invitado en at Hochschule der Bildenden Künste Karlsruhe. Desde 2008 es profesor en Universität der Künste Berlin. 

Ha participado en numerosas exposiciones individuales y colectivas: Response to Transient and Steady State Flickering Stimuli, Galerie Guido W. Baudach, Berlin (2021) ; Secret Friends, Kunsthalle Wilhelmshaven, Wilhelmshaven, Germany (2021); Schnee fällt hinterm Berge, Avlskarl Gallery, Copenhagen (2021); En otro tiempo ibas muy elegante, Galería Heinrich Ehrhardt, Madrid (2021);Portraits, Galerie Rüdiger Schöttle, Munich, Germany (2021) ;The Church of the Magic Square, blank projects, Cape Town(2020); World health. Mental health 2020, Galerie Krinzinger, Vienna (2020); Studio Berlin, cooperation between the Boros Foundation and Berghain, Berghain, Berlin (2020); Faces and Names, Galerie Guido W. Baudach, Berlin (2020);Void & Sound, Galerie Kai Erdmann, Hamburg, Germany (2020); Dark Matter, Galerie Guido W. Baudach, Berlin(2020); Signal Hill, Avlskarl, Copenhagen(2019); The Unknown (Flowers) & The Other Side, Martinetz, Cologne (2019); In search of the miraculous, Schau Fenster, Berlin (2019); “Where higher beings commanded, …“ – Heinrich Nüsslein & Friends, Galerie Guido W. Baudach, Berlin (2019); Now is the time, Kunstmuseum Wolfsburg, Wolfsburg, Germany (2019); A rose for mom, Galerie Maïa Müller, Paris (2019); ‘NGORONGORO II’, Berlin (2018); A Frozen Fountain (the family of pills), Galerie Rüdiger Schöttle, Munich (2018); ‘MOON GAS’, Galerie Guido W. Baudach, Berlin (2018); ‘Detschland ist keine Insel, Sammlung zeitgenössischer kunst der Bundesrepublik Deutschland Ankäufe von 2012 bis 2016’, Bundeskunsthalle, Bonn, Germany (2018); ‘A PRIMER OF HIGHER SPACE (The family of Man)’, Kunsthalle Giessen, Giessen, Germany (2018); ‘Physical Reality and Mental Experience (Scalling a chimera)’, Galerie Bastian, Berlin (2018); ‘Abstract pleasures’, Niiels Borch Jensen Gallery, Berlin (2018); Manifestations, Galerie Guido W. Baudach, Berlin (2018); Bottom up, Kühlhaus Berlin (2018); ‘White Rabbit (Martin Luther)’, Overbeck Gesellschaft & St. Petri Kuratorium, St. Petri zu Lübeck, Germany (2017); ‘ICON – Idea. Ideal. Inspiration’, Galerie Krizinger, Vienna (2017); ‘Attemps to quantify sensation’, Albert Baronian, Brussels (2016); ‘Experiments on the Perceptual and Conceptual Classification of Varying Stimulus Patterns’, Galería Heinrich Ehrhardt, Madrid (2014); ‘A Psychophysical Basis For Utilitarian Comparisons (The Laerdal Experiments)’, Galerie Krinzinger, Vienna (2014); ‘Task Dependence of the Effect of Standards on the Perception of a Series of Objects’, SVIT, Prague (2013); ‘Comparative investigation about the Disposition of the Width of a Circle’, 55th International Art Exhibition, La Biennale di Venezia (2013); ‘ENGLAND ATTACKED BY THE AMERICAS’, Kunstverein Oldenburg (2012); ‘The forbidden Conduct (Deviations in conservative societies)’, Sommer Contemporary Art, Tel Aviv (2011); (WHITE REFORMATION CO-OP) ‘MENS SANA IN CORPORE SANO’, Kunsthalle Fridericianum, Kassel (Cat.) (2010);