Galería Ehrhardt Flórez

Artists

Thomas Zipp

Thomas Zipp, Blind Spot Detecting Unit (group stimulus space) (2022), acrylic, oil and lacquer on linen in artist's frame, 175 x 155 cm .

Thomas Zipp, Overlapping Figure Test (Cloud)(2022), acrylic, oil and lacquer on linen in artist's frame, 145 x 125 cm.

Thomas Zipp, A.O.: Pattern-Codings (2017), acrylic, oil, lacquer and aluminum on linen in artist's frame, 60 x 50 cm.

Thomas Zipp, A.O.: He Geist, wo geht die reise hin? (2016), acrylic, oil, lacquer and aluminum on linen in artist's frame, 205 x 175 x 3,5 cm.

Thomas Zipp, A.B.: Big Unit (2013), acrylic, oil, lacquer and aluminum on linen in artist's frame, 185 x 155 cm.

Thomas Zipp, A.B.: F.I. (Filtered Invariance) (2014), acrylic, oil on canvas, 70 x 60 cm.

Thomas Zipp, A.B.: D.R. (Defined Reaction) (2014), acrylic, oil on canvas, 70 x 60 cm.

Thomas Zipp, A.B.: R.P. (Recognition Process) (2014),acrylic, oil and lacquer on canvas, 85 x 70 cm.

ACTIONS IN THE ORGANISM (2014), acrílico, óleo y laca sobre lienzo, 240 x 320 x 4,5 cm.

Thomas Zipp, A.B.: from the class representation (2014), acrylic, oil and lacquer on canvas, 240 x 320 x 4,5 cm.

Thomas Zipp, Black Dada (2006), 14 serigraphs (Paragon Press), 76 x 57,5 cm c/u.

Thomas Zipp, A Primer Of Higher Space (The Family Of Man Revisited) (2018), Kunsthalle Giesse, Germany, installation view, photo: Rolf K. Wegst.

Thomas Zipp (2015), Kunsthalle Fridericianum, Kassel, Germany, installation view.

Thomas Zipp, (White reformation co-op) Mens sana in corpore sano (2010), Kunsthalle Fridericianum, Kassel, Germany, installation view, foto Roman März.

Thomas Zipp, U-Day (Pulpit) (2005), three drawings, wood, acrylic, 194 x 160 x 196 cm.

Biography

Thomas Zipp (Heppenheim, 1966). Lives and works in Berlín. Between 2006 and 2007 have a guest professorship at Hochschule der Bildenden Künste Karlsruhe. Since 2008 works also as professor in Universität der Künste Berlin.

He participated in several solo exhibition in galleries and museums:Response to Transient and Steady State Flickering Stimuli, Galerie Guido W. Baudach, Berlin (2021) ; Secret Friends, Kunsthalle Wilhelmshaven, Wilhelmshaven, Germany (2021); Schnee fällt hinterm Berge, Avlskarl Gallery, Copenhagen (2021); En otro tiempo ibas muy elegante, Heinrich Ehrhardt Galerie, Madrid (2021);Portraits, Galerie Rüdiger Schöttle, Munich, Germany (2021) ;The Church of the Magic Square, blank projects, Cape Town(2020); World health. Mental health 2020, Galerie Krinzinger, Vienna (2020); Studio Berlin, cooperation between the Boros Foundation and Berghain, Berghain, Berlin (2020); Faces and Names, Galerie Guido W. Baudach, Berlin (2020);Void & Sound, Galerie Kai Erdmann, Hamburg, Germany (2020); Dark Matter, Galerie Guido W. Baudach, Berlin(2020); Signal Hill, Avlskarl, Copenhagen(2019); The Unknown (Flowers) & The Other Side, Martinetz, Cologne (2019); In search of the miraculous, Schau Fenster, Berlin (2019); “Where higher beings commanded, …“ – Heinrich Nüsslein & Friends, Galerie Guido W. Baudach, Berlin (2019); Now is the time, Kunstmuseum Wolfsburg, Wolfsburg, Germany (2019); A rose for mom, Galerie Maïa Müller, Paris (2019);NGORONGORO II’, Berlin (2018); ‘MOON GAS’, Galerie Guido W. Baudach, Berlin (2018); ‘Detschland ist keine Insel, Sammlung zeitgenössischer kunst der Bundesrepublik Deutschland Ankäufe von 2012 bis 2016’, Bundeskunsthalle, Bonn, Germany (2018); ‘A PRIMER OF HIGHER SPACE (Tha family of Man)’, Kunsthalle Giessen, Giessen, Germany (2018); ‘Physical Reality and Mental Experience (Scalling a chimera)’, Galerie Bastian, Berlin (2018); ‘Abstract pleasures’, Niiels Borch Jensen Gallery, Berlin (2018); ‘White Rabbit (Martin Luther)’, Overbeck Gesellschaft & St. Petri Kuratorium, St. Petri zu Lübeck, Germany (2017); ‘ICON – Idea. Ideal. Inspiration’, Galerie Krizinger, Vienna (2017); ‘Attemps to quantify sensation’, Albert Baronian, Brussels (2016); ‘Experiments on the Perceptual and Conceptual Classification of Varying Stimulus Patterns’, Galería Heinrich Ehrhardt, Madrid (2014); ‘A Psychophysical Basis For Utilitarian Comparisons (The Laerdal Experiments)’, Galerie Krinzinger, Vienna (2014); ‘Task Dependence of the Effect of Standards on the Perception of a Series of Objects’, SVIT, Prague (2013); ‘Comparative investigation about the Disposition of the Width of a Circle’, 55th International Art Exhibition, La Biennale di Venezia (2013); ‘ENGLAND ATTACKED BY THE AMERICAS’, Kunstverein Oldenburg (2012); ‘The forbidden Conduct (Deviations in conservative societies)’, Sommer Contemporary Art, Tel Aviv (2011); (WHITE REFORMATION CO-OP) ‘MENS SANA IN CORPORE SANO’, Kunsthalle Fridericianum, Kassel (Cat.) (2010);

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‘PLANET CARAVAN IS THERE LIFE AFTER DEATH? a FUTURISTIC WORLD FAIR’, Museum Dhondt Daehnens, Deurle (2008); ‘Achtung! Vision: N.I.B (2005), Nuevo Tychónico’, Galería Heinrich Ehrhardt, Madrid (2005); ‘Futurism Now! SAMOA leads’, Daniel Hug Gallery, Los Angeles (2004); ‘Avatar & Atavismus. Outside der Avantgarde’, Kunsthalle Düsseldorf, Düsseldorf, Germany (2015); ‘Painting Show – Part Two’, Galerie Rüdiger Schöttle, Munich, Germany (2015); ‘Sweet Sixteen’, China Art Objects Galleries, Los Angeles (2015); ‘DAK’ART 2014’, 11ème Biennale de l’Art Africain Contemporain, Dakar (cat.); ‘I knOw yoU’, Irish Museum of Modern Art, Dublin (cat.) (2014); ‘Schach Matt’, Märkisches Museum Witten (2012); 3rd Herzliya Biennial of Contemporary Art, Herzliya Museum for Contemporary Art, Herliya! (2011); ‘Group Velocity’, Märkisches Museum, Witten (2012); ‘ALPTRAUM / NIGHTMARE’, Transformer DC / Cell Project Space, London /Projektraum des Deutschen Künstlerbundes, Berlin / The Company, Los Angeles / blank projects, Cape Town (2011).

His work is the main collections both public and private such as Sammlung Boros, Berlin, Fondazione Morra, Naples, MOCA Grand Avenue, Los Angeles, CA, Rubell Family Collection, Miami, FL o The Saatchi Gallery, London.